WIHM Interview: Hailey Piper

Hailey Piper
Hailey Piper

As Women in Horror Month enters its final week (sniff), here is the final interview in my WIHM interview series. Today, I’m chatting with author Hailey Piper. Read on to get to know this awesome writer!


Sonora: How long have you been writing?

Hailey: I’ve been writing since I was little, telling stories about werewolf weddings and Bigfoot. I don’t think I could ever get away from it, and I wouldn’t want to.

Sonora: Tell us about your novella, The Possession of Natalie Glasgow. What inspired the story?

Hailey: The setup isn’t all that different from The Exorcist in that we have a single mother whose daughter is acting strangely and the doctors seem useless, so she reaches out for spiritual help. The novella starts at that point, where the narrator swerves from the usual, so as not to retread well-explored territory. I wanted to tell a possession story outside the organized religion worldview, where witchcraft isn’t the devil and the evil lies in human hands.

Sonora: Since its initial release, Natalie Glasgow has had a title change and also became available in paperback. Tell us more about the experience of making these updates after the novella was out. What motivated you to do it? Did you notice positive changes afterward? Is there anything you would do differently?

Hailey: I had never planned it to be more than an ebook, and I hadn’t expected anyone to pay much attention to it. I had considered The Exorcism of Natalie Glasgow; Possession hadn’t occurred to me until Steve Stred suggested the title change. Months later, I decided to just do it, at which point Eddie Generous offered new cover art, and then a few cool people (including you, Sonora!) won me over on creating a paperback. Since then, the novella has seen entirely unexpected success, with an explosion of Goodreads ratings/reviews, a featured group review from the Night Worms bloggers, and people sending friendly messages to say they enjoyed it. I think this proves the value of a strong title and cover art, and while I’m happy with the path Natalie Glasgow has taken, I’d definitely try to come out of the gate stronger if I ever self-publish again.

Sonora: Your latest release, Benny Rose: The Cannibal King, is part of Unnerving’s Rewind or Die series. What was it like writing a novella for such a series? Did the idea come to you when you read the call for submissions, or had Benny Rose already introduced himself to you?

Hailey: Benny Rose as a concept has a complicated history. He was a lot of things for me at different times through 2018 as I tried to make his and Desiree’s story work in notes. I had characters, backstory, but there was something wrong.  When the call went out for Rewind or Die, everything clicked—the 1980s was the perfect time. I had to cut some elements, but that only made the novella stronger. All the stuff I really cared about stayed.

Sonora: Tell us about Benny Rose. How is it like your previous works? How is it different?

Hailey: Blackwood, Vermont is a small town, its only claim to fame being local folklore ghoul Benny Rose, allegedly based on a serial killer active in the 1950s. On Halloween night, Desiree St. Fleur and her friends decide to play a Benny Rose-themed prank on town newcomer Gabrielle Walker, unaware that they’ll stumble upon the truth behind the legend. As Natalie Glasgow twisted possession tropes, Benny Rose is my stab at slasher tropes, but where Natalie Glasgow focused on family and pride, I hope readers find Benny Rose a harrowing gauntlet of friendship, tragedy, and sacrifice.

Sonora: What have been your experiences in horror as a queer author? As a woman author?

Hailey: Rewarding, if daunting. I had stopped writing for the longest time, and when I bounced back into it, I was unapologetic about letting myself out in the open. I wanted to write queer stories. And I definitely wanted to write feminist stories. I drew back a little at first—I don’t think anyone realized Natalie Glasgow’s protagonist Margaret Willow is gay because I cut almost every reference to that—but I’ve come back from that with a vengeance. I’ve been tremendously fortunate to have the support of publishers and readers alike.

Sonora: Horror is often analyzed as inherently queer. Even stories that don’t explicitly have LGBTQIA+ characters are viewed as queer narratives. What are your thoughts on horror as queer?

Hailey: I think horror is the genre most-suited to telling queer narratives, even without queer characters, but that could be my own queer perspective talking. We’re innocently existing and then someone horrible intrudes. Or, the world doesn’t want us, so we’re monsters to be destroyed.

Sonora: Similarly, horror, like other genres, is often seen as a safe way to present queer narratives to mass audiences, since it’s “disguised” under classic genre tropes. Do you agree with this? Do you think this is still the case, or is explicitly queer horror coming more to the forefront than coded horror stories?

Hailey: I think there’s room for both queer-coded themes and narratives in horror and for queer characters at the forefront to co-exist. A winning story in Pseudopod’s 2019 flash fiction contest that will appear in a future episode presented what felt like a transgender narrative through a speculative lens, and it was brilliant. In the same year, Sarah Fannon’s short story “Consumed” told its horror through a gay woman’s point of view as she searched for companionship, and it was also brilliant. I want both kinds, and lots of them.

Hailey: How can the horror genre be better in its treatment of LGBTQIA+ characters and stories? How can the industry be better? 

Hailey: We need more queer creators and decision makers. While there are excellent stories told by allies, there’s only so much that can be understood without firsthand experience. Different perspectives mean different voices which lead to different stories. It’s not enough for allies to tell their stories but with queer characters, wonderful as some of those stories have been. We need to tell them too, share our unique worldview, both lovely and terrifying.

Sonora: Who are some of your favorite authors? What are some of your favorite books?

Hailey: It’s hard to list favorite books when I’m reading so much excellent short fiction that I want to shove in everyone’s faces, but some favorite authors would be Gwendolyn Kiste, Ramsey Campbell, Neil Gaiman, Sara Tantlinger, Caitlin Kiernan, Christa Carmen, and Ray Cluley.

Sonora: What are you working on right now?

Hailey: The dreaded question that outs me as a workaholic! I’m a third into writing a new novella, halfway through a novelette, planning a new novel, revising another, and editing short stories. There’s a lot going on.


 

About Hailey Piper:

Hailey Piper is the author of horror novellas The Possession of Natalie Glasgow and Benny Rose, the Cannibal King, and her debut dark fantasy/epic horror novel, The Verses of Aeg, will be published by Bronzeville Books in Q4 2020. An active member of the HWA, she enjoys consuming horror, writing it, and sometimes haunting her wife through their apartment. Find her on Twitter via @HaileyPiperSays or at her website www.haileypiper.com.


Check out previous WIHM interviews:

 

WIHM Interview: V. Castro

V. Castro
V. Castro

My Women in Horror Month interview series continues with a conversation with author V. Castro! Read on to hear more from this wonderful writer.


Sonora: How long have you been writing?

V: I have been writing since I was a kid, but I didn’t seriously begin to consider publishing until three years ago. I always thought it would be unavailable to someone like me.

Sonora: You made a welcome splash into the vampire genre with Maria the Wanted and the Legacy of the Keepers. Tell us about this book. What inspired the story? What was it like writing it? Publishing it?

V: Maria works in a maquiladora in Juarez, Mexico to earn enough money to pay a coyote to cross the border. During one of her shifts, she and her co-workers are attacked by vampires. This is the beginning of her journey to becoming a dark enforcer of justice that even Lucifer cannot resist.

This story was inspired by a dream, but it wasn’t about Maria. She emerged while I wrote what is now book 2 of the series. I couldn’t stop thinking about her and what she stood for.

Sonora: When will we see Maria’s next adventure?

V: I have written parts of the sequels already. My hope is to find a publisher to take on the series because it is a pretty big project. I envision at least 2-3 more books.

Sonora: You also wrote another vampire tale, The Erotic Modern Life of Malinalli the Vampire. As the title suggests, it’s very sexy. What draws you to writing erotica?

V: I just love sex. That might sound crass, but it is true. Writing about it is an escape that I find exciting. I have lived a pretty colorful life so some of those experiences make their way onto the page.

Sonora: Sex in horror is interesting. I often find that horror stories treat sex as something that should be shocking, violent, and/or a means of punishment; so it’s refreshing when I see an honest-to-God, sexy, consensual sex scene in a horror novel. What are your experiences reading sex in horror? Is there anything you would suggest authors do to improve the state of sex in horror?

V: I think you hit the nail on the head. We should have normal sex in horror because humans have good consensual sex all the time. Women are not just toys to be degraded for the sake of a plot. If it is part of a back story, handled with respect or if it is written by a survivor, I can understand.

If authors want to improve sex in horror, I suggest they write it in a way they might enjoy it.

Sonora: Tell us about your next novella, Hairspray and Switchblades (out February 22). I can’t wait to read it!

V: Maya is a dancer at a gentleman’s club, but she is also a jaguar shifter. After her parents are murdered, her options are limited  that will allow her to retain custody of her younger sister Magdalena and pay for her education. But there is a predator on the loose and it wants their hide.

Sonora: You’ve also written several short stories, which have appeared in different anthologies. How is the experience of writing a short story different for you than a novel? A novella?

V: In some ways it is more difficult because you have a finite space to create a rich world and developed characters. I love writing short stories because where else can I pursue all my crazy ideas!

I also find that a novel can feel like a slog because 65k and over is a lot of words. Then you have the editing that consumes significant time and energy. When I need a break, short stories help me to break up the monotony of bigger projects.

Sonora: What have been your experiences as a Latinx author? As a woman author?

V: In horror there are so very few Latinx authors and it is discouraging when you only see white men getting all the fanfare in horror. However, the indie horror community has been great to me as a Latina and a woman. With that said, I truly believe you get what you give. Supporting others is important to me.

Sonora: What can the genre do to improve representation of diverse voices? What can the industry do?

V: The industry is off to a good start by stating in their submission calls that they want to see diversity in the author pool. It is not enough for just asking white authors to write diverse stories. Those stories need to come from us.

Editors need to look at their anthologies and try to include stories by authors from marginalized groups.

Reading diversely and reviewing those books goes a long way because word of mouth is crucial.

Sonora: Who are some of your favorite authors? What are some of your favorite books?

V: Honestly, the indie horror scene is really hot as it becomes more inclusive and women are killing it. I can’t just name a few! Everyone on the hustle deserves a nod.

One book I read last year that has continually inspired me is a non-fiction book by fellow Mexican American author David Bowles. Feathered Serpent Dark Heart of Sky is a book of all the myths of Mexico. It is so lush, and I love it.

Sonora: What are you working on right now?

V: So many things! Working hard on making Latinx Screams the best it can be. I’m curating a Latinx dark fiction book bundle for StoryBundle.


About V. Castro:

V.Castro is a Mexican American writer from San Antonio, Texas, now residing in the UK.

As a full-time mother, she dedicates her time to her family and writing Latinx narratives.

Currently she is co-editing Latinx Screams with Bronzeville Books due out in the fall.

Her titles include:

Maria The Wanted and the Legacy of The Keepers

The Erotic Modern Life of Malinalli the Vampire

Rigor Morbid: Lest Ye Become — “The Latin Queens of Mictlan”

Hairspray and Switchblades — Feb 2020 (Unnerving)

Violet is a reviewer for www.scifiandscary.com  and Latin Horror. She has contributed to Ladies of Horror Fiction, Ginger Nuts of Horror, OctoberPod Podcast, and Burial Ground.

Connect with V via Instagram and Twitter: @vlatinalondon; or www.vvcastro.com


Check out previous WIHM 2020 interviews: