A Dash of Horror for World Poetry Day

Today is World Poetry Day! Some of my earliest writing was poetry. I mean very early — elementary school, middle school, etc. I have notebooks at my parent’s house with all of my emotions in verse. Some are good. Most aren’t. But poetry was always a nice way for me to write out anything weird or crazy I was feeling, in a way that was less concrete than an essay or a diary entry. Other times, it was a way for me to capture a sight, moment, or memory in a different way.

I don’t write as much poetry as I used to, but when I do, it’s more of the snapshots of memories, or something altogether made up — a short story in verse. I still think my strength is in prose, but sometimes, the best way to tell the story I want to tell is in metered verse.

Sadly, I don’t read as much poetry as I could. I read quickly, and as such, it’s hard for me to slow down and really absorb the gravitas of the verses. Other times, the poems are so over my head that, while they sound nice, I don’t really get them. Most of the time, I admire a poem more than I feel it.

Then I discovered horror poetry.

I didn’t discover horror poetry until late — as in, last year. I’d read bleak poetry and dark poetry before, but never a collection marketed as poems meant to scare you. I’m glad I found it, though, because I found myself connecting with horror poetry in ways I hadn’t connected with other poems before.

While some deal with monsters, many still focus on the terrifying things we feel or experience in real life. I think I connect with this more than other forms of verse because I’m drawn to extremes, especially when describing experiences. My own struggles with anxiety fuel both my work and what I like to read or watch. While non-horror poems cover that, the horror poetry I’ve read cover it with a harshness, a viscerality (I hope that’s a word), and a sense of fright that I haven’t encountered elsewhere — but one I find myself able to connect with deeply, even if that connection is a shared feeling of fear.

I also enjoy horror poetry that tells stories, be they fiction or nonfiction. I like seeing the unique way that poetry can tell a classic horror tale, in ways that give anything from serial killers to demonic possession to vampires a refreshing twist.

For World Poetry Day, I highly recommend you check out some of the horror poetry collections below:

Breathe. Breathe. — a collection of poetry and short stories from Erin Sweet Al-Mehairi.

The Devil’s Dreamland — a series of poems that chronicle the life, death, and murders of H.H. Holmes; from Sara Tantlinger.

How to Recognize a Demon Has Become Your Friend — another blend of poems and short stories, interspersed with one another; by Linda Addison.

What are some of your favorite horror poetry collections?

Celebrating Women in Horror Month

Today is Feb. 1, meaning it’s the first day of Women in Horror Month! (Though really, every month can be Women in Horror Month if you try hard and believe in yourself)

I plan to celebrate as both a writer and a reader. I’m participating in the monthly Ladies of Horror Flash Fiction Picture Contest, and will be featured as part of author Elaine Pascale’s “Ones You Don’t Bring Home” series throughout February. You will also see me popping up on various blogs and review sites, doing interviews and being reviewed, because …

Without Condition will be released on February 12!!!

. Without Condition. Cover Art by Doug Puller
Art by Doug Puller

*throws confetti*

We’re less than two weeks away from the release of my next book. You can check out more on this very site, and also see some early feedback from reviewers on Goodreads.

I’m also pleased to see Without Condition included in the Ladies of Horror Fiction’s Women in Horror Month Read-Along. They’ve set up five categories for their readathon, with the books they both recommend and plan to read. Without Condition is included under Indie Author.

lohf-readalong

I have four books I plan to read for Women in Horror Month:

  • The Devil’s Dreamland: Poetry Inspired by H.H. Holmes by Sara Tantalinger
  • Let’s Play White by Chesya Burke
  • Cruel Works of Nature by Gemma Amor
  • The Gilda Stories by Jewelle Gomez

I plan to read more for sure.

I hope you’ll join me in celebrating Women in Horror Month this year, and beyond!