WIHM Interview: Hailey Piper

Hailey Piper
Hailey Piper

As Women in Horror Month enters its final week (sniff), here is the final interview in my WIHM interview series. Today, I’m chatting with author Hailey Piper. Read on to get to know this awesome writer!


Sonora: How long have you been writing?

Hailey: I’ve been writing since I was little, telling stories about werewolf weddings and Bigfoot. I don’t think I could ever get away from it, and I wouldn’t want to.

Sonora: Tell us about your novella, The Possession of Natalie Glasgow. What inspired the story?

Hailey: The setup isn’t all that different from The Exorcist in that we have a single mother whose daughter is acting strangely and the doctors seem useless, so she reaches out for spiritual help. The novella starts at that point, where the narrator swerves from the usual, so as not to retread well-explored territory. I wanted to tell a possession story outside the organized religion worldview, where witchcraft isn’t the devil and the evil lies in human hands.

Sonora: Since its initial release, Natalie Glasgow has had a title change and also became available in paperback. Tell us more about the experience of making these updates after the novella was out. What motivated you to do it? Did you notice positive changes afterward? Is there anything you would do differently?

Hailey: I had never planned it to be more than an ebook, and I hadn’t expected anyone to pay much attention to it. I had considered The Exorcism of Natalie Glasgow; Possession hadn’t occurred to me until Steve Stred suggested the title change. Months later, I decided to just do it, at which point Eddie Generous offered new cover art, and then a few cool people (including you, Sonora!) won me over on creating a paperback. Since then, the novella has seen entirely unexpected success, with an explosion of Goodreads ratings/reviews, a featured group review from the Night Worms bloggers, and people sending friendly messages to say they enjoyed it. I think this proves the value of a strong title and cover art, and while I’m happy with the path Natalie Glasgow has taken, I’d definitely try to come out of the gate stronger if I ever self-publish again.

Sonora: Your latest release, Benny Rose: The Cannibal King, is part of Unnerving’s Rewind or Die series. What was it like writing a novella for such a series? Did the idea come to you when you read the call for submissions, or had Benny Rose already introduced himself to you?

Hailey: Benny Rose as a concept has a complicated history. He was a lot of things for me at different times through 2018 as I tried to make his and Desiree’s story work in notes. I had characters, backstory, but there was something wrong.  When the call went out for Rewind or Die, everything clicked—the 1980s was the perfect time. I had to cut some elements, but that only made the novella stronger. All the stuff I really cared about stayed.

Sonora: Tell us about Benny Rose. How is it like your previous works? How is it different?

Hailey: Blackwood, Vermont is a small town, its only claim to fame being local folklore ghoul Benny Rose, allegedly based on a serial killer active in the 1950s. On Halloween night, Desiree St. Fleur and her friends decide to play a Benny Rose-themed prank on town newcomer Gabrielle Walker, unaware that they’ll stumble upon the truth behind the legend. As Natalie Glasgow twisted possession tropes, Benny Rose is my stab at slasher tropes, but where Natalie Glasgow focused on family and pride, I hope readers find Benny Rose a harrowing gauntlet of friendship, tragedy, and sacrifice.

Sonora: What have been your experiences in horror as a queer author? As a woman author?

Hailey: Rewarding, if daunting. I had stopped writing for the longest time, and when I bounced back into it, I was unapologetic about letting myself out in the open. I wanted to write queer stories. And I definitely wanted to write feminist stories. I drew back a little at first—I don’t think anyone realized Natalie Glasgow’s protagonist Margaret Willow is gay because I cut almost every reference to that—but I’ve come back from that with a vengeance. I’ve been tremendously fortunate to have the support of publishers and readers alike.

Sonora: Horror is often analyzed as inherently queer. Even stories that don’t explicitly have LGBTQIA+ characters are viewed as queer narratives. What are your thoughts on horror as queer?

Hailey: I think horror is the genre most-suited to telling queer narratives, even without queer characters, but that could be my own queer perspective talking. We’re innocently existing and then someone horrible intrudes. Or, the world doesn’t want us, so we’re monsters to be destroyed.

Sonora: Similarly, horror, like other genres, is often seen as a safe way to present queer narratives to mass audiences, since it’s “disguised” under classic genre tropes. Do you agree with this? Do you think this is still the case, or is explicitly queer horror coming more to the forefront than coded horror stories?

Hailey: I think there’s room for both queer-coded themes and narratives in horror and for queer characters at the forefront to co-exist. A winning story in Pseudopod’s 2019 flash fiction contest that will appear in a future episode presented what felt like a transgender narrative through a speculative lens, and it was brilliant. In the same year, Sarah Fannon’s short story “Consumed” told its horror through a gay woman’s point of view as she searched for companionship, and it was also brilliant. I want both kinds, and lots of them.

Hailey: How can the horror genre be better in its treatment of LGBTQIA+ characters and stories? How can the industry be better? 

Hailey: We need more queer creators and decision makers. While there are excellent stories told by allies, there’s only so much that can be understood without firsthand experience. Different perspectives mean different voices which lead to different stories. It’s not enough for allies to tell their stories but with queer characters, wonderful as some of those stories have been. We need to tell them too, share our unique worldview, both lovely and terrifying.

Sonora: Who are some of your favorite authors? What are some of your favorite books?

Hailey: It’s hard to list favorite books when I’m reading so much excellent short fiction that I want to shove in everyone’s faces, but some favorite authors would be Gwendolyn Kiste, Ramsey Campbell, Neil Gaiman, Sara Tantlinger, Caitlin Kiernan, Christa Carmen, and Ray Cluley.

Sonora: What are you working on right now?

Hailey: The dreaded question that outs me as a workaholic! I’m a third into writing a new novella, halfway through a novelette, planning a new novel, revising another, and editing short stories. There’s a lot going on.


 

About Hailey Piper:

Hailey Piper is the author of horror novellas The Possession of Natalie Glasgow and Benny Rose, the Cannibal King, and her debut dark fantasy/epic horror novel, The Verses of Aeg, will be published by Bronzeville Books in Q4 2020. An active member of the HWA, she enjoys consuming horror, writing it, and sometimes haunting her wife through their apartment. Find her on Twitter via @HaileyPiperSays or at her website www.haileypiper.com.


Check out previous WIHM interviews:

 

Ask the Author: A Q&A with Tiffany Michelle Brown

tiffany michelle brown
“Writing is just … in my bones. Always has been.”

Have you gotten your copy of Quoth the Raven yet? I just finished my own copy — after all, I share space with 29 (!) other authors and poets — and I really enjoyed the collection. I’m honored to appear alongside so many talented writers, including Tiffany Michelle Brown. Tiffany’s short story, “My Love, in Pieces” is a creepy and modern take on “Berenice” by Edgar Allan Poe.

I asked Tiffany if I could interview her, and she agreed. Read on for what inspires her work, some of her favorite whiskeys, and how improv influences her writing.

Bio: Tiffany Michelle Brown is a native of Phoenix, Arizona, who ran away from the desert to live near sunny San Diego beaches. She earned degrees in English and Creative Writing from the University of Arizona, and her work has been featured by Electric Spec, Fabula Argentea, Pen and Kink Publishing, Transmundane Press, and Dark Alley Press. When she isn’t writing, Tiffany can be found on a yoga mat, sipping whisky, creating zany improv scenes, or reading a comic book — sometimes all at once.


Sonora: How long have you been writing?

Tiffany: Gosh, as long as I can remember. I was a super precocious kid who loved stories, so I started writing “novels” on lined notebook paper in grade school. I still have them, and they fall into two camps—mysteries a la the Encyclopedia Brown books—or melodramatic love stories. Like telenovela-level stuff. These early stories are some of my most precious possessions and a great reminder that writing is just … in my bones. Always has been.

Sonora: Someone starts a conversation with you while waiting in line for coffee. They discover you’re a writer, and ask you what you write. The person is next and about to be summoned by the barista. What do you tell them in as quick an answer as you can?

Tiffany: I’m a horror writer at heart, but I also like to dabble in erotica and paranormal romance.

Sonora: Who are some of your favorite authors? What are some of your favorite books?

Tiffany: I am eternally in awe of Neil Gaiman’s work (especially American Gods and The Ocean at the End of the Lane), and I’ve read a ton of Stephen King. The Dark Tower series was like crack for me during college, and I’ve really loved Insomnia, The Shining, Joyland, The Girl Who Loved Tom Gordon, and his short story collections. I’m also a sucker for the stuff I consider the classics, including A Tale of Two Cities by Charles Dickens, We Have Always Lived in the Castle by Shirley Jackson, and basically everything by Edgar Allan Poe and H.P. Lovecraft.

Sonora: For “Quoth the Raven,” you chose to put a contemporary twist on Edgar Allan Poe’s “Berenice.” What made you choose that particular Poe story? What was your favorite part about writing your updated take, “My Love, in Pieces”? Did you face any challenges while writing your story?

Tiffany: “Berenice” is a really visceral story. It’s straight up body horror. And this tale was so shocking that Poe self-censored the piece not long after its original publication to make it more palatable to the general public. I hate censorship, so I loved the idea of building a story around the truly creepy and disturbing elements of this story. I absolutely wanted to keep the startling conclusion of “Berenice” intact (the part that really got under my skin when I read it – no spoilers, in case you haven’t!), so I worked backward, trying to figure out a plausible way to move toward that phantasmagoric twist, while also writing a contemporary story set in present day. The hardest part for me was figuring out the protagonist’s voice, but as soon as that clicked into place, the whole piece was a joy to write.

Sonora: What is your favorite Edgar Allan Poe story? Or, if you can’t choose one, what are a few of your favorites?

Tiffany: It’s a toss-up between “The Tell-tale Heart” and “The Cask of Amontillado.” The voice of the narrator in “Tell-tale Heart” is so fantastic, and his paranoia-turned-madness is completely palpable. (I’m actually querying a dark erotica short based on “Tell-tale Heart” right now!) As far as “Cask” goes, what dark little heart doesn’t love a story about wine, a carnival, and truly horrific revenge?

Sonora: What inspires your work?

Tiffany: I’m definitely inspired by whatever books I’m reading (or listening to) at the moment. Listening to the audiobook of Paula Hawkins’ “Into the Water” influenced the voice of my protagonist in “My Love, In Pieces.” The main character in “My Love” speaks to his wife throughout the story as part of an internal monologue—just as one of Hawkins’ many characters does in “Into the Water”—and the effect is incredibly eerie.

I’m also inspired by news stories (I read an article about robots as babysitters a few weeks ago, and there’s totally a horror story there), strange occurrences that happen in my life (like when I wrote a story about the time a fuck-you-up knife fell out of the pocket of a seemingly straight-laced dude’s pocket at a book signing), or themed anthologies and calls for submissions (like Quoth the Raven!).

Sonora: You are a self-described yogi. Do you find that practicing yoga influences or affects your writing in any way?

Tiffany: I don’t think yoga necessarily influences my writing, but it does wonders for my mental health. Yoga helps me turn off my brain, focus on physicality, sweat out my worries, and remember to breathe. It’s also physically communal, unlike writing. I’m a total extravert, so I enjoy the energy that’s produced in a room full of folks slaying warrior, crow, and corpse poses.

Sonora: You also describe yourself as a whiskey enthusiast. What are some of your favorite whiskeys? Do you have a particular whiskey that you like to sip when writing?

Tiffany: I am obsessed with Japanese whisky, especially Yamazaki 12-Year! It’s incredibly smoky and smooth, and it makes one hell of an old fashioned. I also really like Highland Park, Aberlour, and Glenlivet.

Breaking out the good stuff is a publishing tradition for me. I will generally pour myself a finger or two, neat, in celebration. My friends and family know about this tradition and have helped me steadily build my collection over the years. If you’re ever invited over to my place, you will certainly drink well.

Sonora: You take improv classes. How do the classes influence your writing? Do you see any overlap between the lessons of improv and lessons that writers could apply to their work?

Improv is new for me, and it’s been a transformative experience! Personally, it’s helped me build confidence and consistently step outside my comfort zone. And yes, there are so many concepts in improv that I can apply to writing.

First and foremost, failing is part of the journey and should be celebrated with hearty rounds of applause! On the very first day of my Level 1 improv class at Finest City Improv, our instructor, Gary Ware, established that our classroom was a safe space for experimentation and, contrary to our natural inclinations, we should clap when things went sideways. With this mindset, “mistakes” quickly became “gifts,” things we could use to usher a narrative forward. Can you image if writers were more forgiving of themselves and gave themselves room to fail gracefully and just keep going? I’m really trying to apply that to my craft.

Secondly, successful improv is all about storytelling. Improv scenes can seem extremely bizarre or outlandish, but at their core, they’re about relationships, conflicts, and resolutions – just like the stories we authors put on paper. Without those elements, a scene (or a story) will fall flat.

Lastly, trust in your gut. Make decisions. Stick with them. Let the scenes (or stories) evolve and grow. Play. Do something silly. See if it works. Essentially, improv has given me a ton of freedom and has validated that whatever I’m thinking in a particular moment for a scene (or a story) is completely right.

Sonora: You’ve appeared in many anthologies, and also published your own standalone work. How long have you been publishing? What was your first acceptance? How do you decide between pieces you’ll submit and pieces to publish as standalones?

I finally mustered up the courage to start sending my work out for consideration in 2013, and I published my very first piece, “Invidia,” in Penduline Press’s Seven Deadly Sins issue that year. It’s inspired by Dante’s “Inferno,” more specifically the sewing shut of a trespasser’s eyes when they’ve become envious or coveted that which isn’t theirs. I decided to tell the story from the perspective of the being tasked with the sewing, someone stuck in a very strange kind of limbo. It’s very strange, and I still love that piece.

I submit the majority of my work to publishers now, but when I was first starting out, I was frustrated by rejections and didn’t have a great idea of how to search for markets that complemented my writing style. But I was itching to get my work out there! So, I took matters into my own hands and learned how to publish my own work on Amazon. I self-published SPIN, a novelette about time travel via vinyl records, and Give It Back, a long-ish horror story about a funeral home and a theft that wakes the dead.

There are a few pieces I’ve been querying for a while that don’t fit neatly into a genre or an ideal word count, so those may be next for the self-publishing queue. I’ve also been toying with the idea of self-publishing a collection of horror stories, too. We shall see!

Sonora: Do you have any projects in the works that you’d like to share with us?

Tiffany: I have two projects in the works right this second: a tale in the American Gothic tradition about infidelity, puritanism, and demons; and a paranormal romance novella about a vampire librarian working the night shift on a college campus who meets a cocky student he’s not sure whether he’d like to kiss or kill.

My upcoming publications include a drabble titled “All That Glitters” in Drabbledark II: An Anthology of Dark Drabbles, edited by Eric S. Fomley; a short story called “Unspoken Words” in Christmas Lites VIII, a charity anthology edited by Amy Huntley and benefiting the National Coalition Against Domestic Violence; and an audio reading of my paranormal comedic short, “Bad Vibrations,” on the Toasted Cake podcast.


Follow Tiffany’s adventures at https://tiffanymichellebrown.wordpress.com or @tiffebrown on Twitter.

Check out Tiffany’s interview with me on her blog!