WIHM Interview: V. Castro

V. Castro
V. Castro

My Women in Horror Month interview series continues with a conversation with author V. Castro! Read on to hear more from this wonderful writer.


Sonora: How long have you been writing?

V: I have been writing since I was a kid, but I didn’t seriously begin to consider publishing until three years ago. I always thought it would be unavailable to someone like me.

Sonora: You made a welcome splash into the vampire genre with Maria the Wanted and the Legacy of the Keepers. Tell us about this book. What inspired the story? What was it like writing it? Publishing it?

V: Maria works in a maquiladora in Juarez, Mexico to earn enough money to pay a coyote to cross the border. During one of her shifts, she and her co-workers are attacked by vampires. This is the beginning of her journey to becoming a dark enforcer of justice that even Lucifer cannot resist.

This story was inspired by a dream, but it wasn’t about Maria. She emerged while I wrote what is now book 2 of the series. I couldn’t stop thinking about her and what she stood for.

Sonora: When will we see Maria’s next adventure?

V: I have written parts of the sequels already. My hope is to find a publisher to take on the series because it is a pretty big project. I envision at least 2-3 more books.

Sonora: You also wrote another vampire tale, The Erotic Modern Life of Malinalli the Vampire. As the title suggests, it’s very sexy. What draws you to writing erotica?

V: I just love sex. That might sound crass, but it is true. Writing about it is an escape that I find exciting. I have lived a pretty colorful life so some of those experiences make their way onto the page.

Sonora: Sex in horror is interesting. I often find that horror stories treat sex as something that should be shocking, violent, and/or a means of punishment; so it’s refreshing when I see an honest-to-God, sexy, consensual sex scene in a horror novel. What are your experiences reading sex in horror? Is there anything you would suggest authors do to improve the state of sex in horror?

V: I think you hit the nail on the head. We should have normal sex in horror because humans have good consensual sex all the time. Women are not just toys to be degraded for the sake of a plot. If it is part of a back story, handled with respect or if it is written by a survivor, I can understand.

If authors want to improve sex in horror, I suggest they write it in a way they might enjoy it.

Sonora: Tell us about your next novella, Hairspray and Switchblades (out February 22). I can’t wait to read it!

V: Maya is a dancer at a gentleman’s club, but she is also a jaguar shifter. After her parents are murdered, her options are limited  that will allow her to retain custody of her younger sister Magdalena and pay for her education. But there is a predator on the loose and it wants their hide.

Sonora: You’ve also written several short stories, which have appeared in different anthologies. How is the experience of writing a short story different for you than a novel? A novella?

V: In some ways it is more difficult because you have a finite space to create a rich world and developed characters. I love writing short stories because where else can I pursue all my crazy ideas!

I also find that a novel can feel like a slog because 65k and over is a lot of words. Then you have the editing that consumes significant time and energy. When I need a break, short stories help me to break up the monotony of bigger projects.

Sonora: What have been your experiences as a Latinx author? As a woman author?

V: In horror there are so very few Latinx authors and it is discouraging when you only see white men getting all the fanfare in horror. However, the indie horror community has been great to me as a Latina and a woman. With that said, I truly believe you get what you give. Supporting others is important to me.

Sonora: What can the genre do to improve representation of diverse voices? What can the industry do?

V: The industry is off to a good start by stating in their submission calls that they want to see diversity in the author pool. It is not enough for just asking white authors to write diverse stories. Those stories need to come from us.

Editors need to look at their anthologies and try to include stories by authors from marginalized groups.

Reading diversely and reviewing those books goes a long way because word of mouth is crucial.

Sonora: Who are some of your favorite authors? What are some of your favorite books?

V: Honestly, the indie horror scene is really hot as it becomes more inclusive and women are killing it. I can’t just name a few! Everyone on the hustle deserves a nod.

One book I read last year that has continually inspired me is a non-fiction book by fellow Mexican American author David Bowles. Feathered Serpent Dark Heart of Sky is a book of all the myths of Mexico. It is so lush, and I love it.

Sonora: What are you working on right now?

V: So many things! Working hard on making Latinx Screams the best it can be. I’m curating a Latinx dark fiction book bundle for StoryBundle.


About V. Castro:

V.Castro is a Mexican American writer from San Antonio, Texas, now residing in the UK.

As a full-time mother, she dedicates her time to her family and writing Latinx narratives.

Currently she is co-editing Latinx Screams with Bronzeville Books due out in the fall.

Her titles include:

Maria The Wanted and the Legacy of The Keepers

The Erotic Modern Life of Malinalli the Vampire

Rigor Morbid: Lest Ye Become — “The Latin Queens of Mictlan”

Hairspray and Switchblades — Feb 2020 (Unnerving)

Violet is a reviewer for www.scifiandscary.com  and Latin Horror. She has contributed to Ladies of Horror Fiction, Ginger Nuts of Horror, OctoberPod Podcast, and Burial Ground.

Connect with V via Instagram and Twitter: @vlatinalondon; or www.vvcastro.com


Check out previous WIHM 2020 interviews:

Listen to my Short Story, “Salty Air,” on the Ladies of Horror Fiction Podcast

Looking for a quick piece of horror to listen to? The latest episode of the Ladies of Horror Fiction podcast, “Stories of Horror — Creature, Pt. 1,” features my flash piece, “Salty Air.”

“Salty Air” is a beachside flash piece about a mysterious well and a pervasive, briny scent. It’s read by LOHF podcaster and contributor Toni, and she does a wonderful job with the piece. Give it a listen below!

The episode also features flash pieces by Hailey Piper and Alyson Faye.

Thanks for listening!

Ask the Author: A Q&A with Tiffany Michelle Brown

tiffany michelle brown
“Writing is just … in my bones. Always has been.”

Have you gotten your copy of Quoth the Raven yet? I just finished my own copy — after all, I share space with 29 (!) other authors and poets — and I really enjoyed the collection. I’m honored to appear alongside so many talented writers, including Tiffany Michelle Brown. Tiffany’s short story, “My Love, in Pieces” is a creepy and modern take on “Berenice” by Edgar Allan Poe.

I asked Tiffany if I could interview her, and she agreed. Read on for what inspires her work, some of her favorite whiskeys, and how improv influences her writing.

Bio: Tiffany Michelle Brown is a native of Phoenix, Arizona, who ran away from the desert to live near sunny San Diego beaches. She earned degrees in English and Creative Writing from the University of Arizona, and her work has been featured by Electric Spec, Fabula Argentea, Pen and Kink Publishing, Transmundane Press, and Dark Alley Press. When she isn’t writing, Tiffany can be found on a yoga mat, sipping whisky, creating zany improv scenes, or reading a comic book — sometimes all at once.


Sonora: How long have you been writing?

Tiffany: Gosh, as long as I can remember. I was a super precocious kid who loved stories, so I started writing “novels” on lined notebook paper in grade school. I still have them, and they fall into two camps—mysteries a la the Encyclopedia Brown books—or melodramatic love stories. Like telenovela-level stuff. These early stories are some of my most precious possessions and a great reminder that writing is just … in my bones. Always has been.

Sonora: Someone starts a conversation with you while waiting in line for coffee. They discover you’re a writer, and ask you what you write. The person is next and about to be summoned by the barista. What do you tell them in as quick an answer as you can?

Tiffany: I’m a horror writer at heart, but I also like to dabble in erotica and paranormal romance.

Sonora: Who are some of your favorite authors? What are some of your favorite books?

Tiffany: I am eternally in awe of Neil Gaiman’s work (especially American Gods and The Ocean at the End of the Lane), and I’ve read a ton of Stephen King. The Dark Tower series was like crack for me during college, and I’ve really loved Insomnia, The Shining, Joyland, The Girl Who Loved Tom Gordon, and his short story collections. I’m also a sucker for the stuff I consider the classics, including A Tale of Two Cities by Charles Dickens, We Have Always Lived in the Castle by Shirley Jackson, and basically everything by Edgar Allan Poe and H.P. Lovecraft.

Sonora: For “Quoth the Raven,” you chose to put a contemporary twist on Edgar Allan Poe’s “Berenice.” What made you choose that particular Poe story? What was your favorite part about writing your updated take, “My Love, in Pieces”? Did you face any challenges while writing your story?

Tiffany: “Berenice” is a really visceral story. It’s straight up body horror. And this tale was so shocking that Poe self-censored the piece not long after its original publication to make it more palatable to the general public. I hate censorship, so I loved the idea of building a story around the truly creepy and disturbing elements of this story. I absolutely wanted to keep the startling conclusion of “Berenice” intact (the part that really got under my skin when I read it – no spoilers, in case you haven’t!), so I worked backward, trying to figure out a plausible way to move toward that phantasmagoric twist, while also writing a contemporary story set in present day. The hardest part for me was figuring out the protagonist’s voice, but as soon as that clicked into place, the whole piece was a joy to write.

Sonora: What is your favorite Edgar Allan Poe story? Or, if you can’t choose one, what are a few of your favorites?

Tiffany: It’s a toss-up between “The Tell-tale Heart” and “The Cask of Amontillado.” The voice of the narrator in “Tell-tale Heart” is so fantastic, and his paranoia-turned-madness is completely palpable. (I’m actually querying a dark erotica short based on “Tell-tale Heart” right now!) As far as “Cask” goes, what dark little heart doesn’t love a story about wine, a carnival, and truly horrific revenge?

Sonora: What inspires your work?

Tiffany: I’m definitely inspired by whatever books I’m reading (or listening to) at the moment. Listening to the audiobook of Paula Hawkins’ “Into the Water” influenced the voice of my protagonist in “My Love, In Pieces.” The main character in “My Love” speaks to his wife throughout the story as part of an internal monologue—just as one of Hawkins’ many characters does in “Into the Water”—and the effect is incredibly eerie.

I’m also inspired by news stories (I read an article about robots as babysitters a few weeks ago, and there’s totally a horror story there), strange occurrences that happen in my life (like when I wrote a story about the time a fuck-you-up knife fell out of the pocket of a seemingly straight-laced dude’s pocket at a book signing), or themed anthologies and calls for submissions (like Quoth the Raven!).

Sonora: You are a self-described yogi. Do you find that practicing yoga influences or affects your writing in any way?

Tiffany: I don’t think yoga necessarily influences my writing, but it does wonders for my mental health. Yoga helps me turn off my brain, focus on physicality, sweat out my worries, and remember to breathe. It’s also physically communal, unlike writing. I’m a total extravert, so I enjoy the energy that’s produced in a room full of folks slaying warrior, crow, and corpse poses.

Sonora: You also describe yourself as a whiskey enthusiast. What are some of your favorite whiskeys? Do you have a particular whiskey that you like to sip when writing?

Tiffany: I am obsessed with Japanese whisky, especially Yamazaki 12-Year! It’s incredibly smoky and smooth, and it makes one hell of an old fashioned. I also really like Highland Park, Aberlour, and Glenlivet.

Breaking out the good stuff is a publishing tradition for me. I will generally pour myself a finger or two, neat, in celebration. My friends and family know about this tradition and have helped me steadily build my collection over the years. If you’re ever invited over to my place, you will certainly drink well.

Sonora: You take improv classes. How do the classes influence your writing? Do you see any overlap between the lessons of improv and lessons that writers could apply to their work?

Improv is new for me, and it’s been a transformative experience! Personally, it’s helped me build confidence and consistently step outside my comfort zone. And yes, there are so many concepts in improv that I can apply to writing.

First and foremost, failing is part of the journey and should be celebrated with hearty rounds of applause! On the very first day of my Level 1 improv class at Finest City Improv, our instructor, Gary Ware, established that our classroom was a safe space for experimentation and, contrary to our natural inclinations, we should clap when things went sideways. With this mindset, “mistakes” quickly became “gifts,” things we could use to usher a narrative forward. Can you image if writers were more forgiving of themselves and gave themselves room to fail gracefully and just keep going? I’m really trying to apply that to my craft.

Secondly, successful improv is all about storytelling. Improv scenes can seem extremely bizarre or outlandish, but at their core, they’re about relationships, conflicts, and resolutions – just like the stories we authors put on paper. Without those elements, a scene (or a story) will fall flat.

Lastly, trust in your gut. Make decisions. Stick with them. Let the scenes (or stories) evolve and grow. Play. Do something silly. See if it works. Essentially, improv has given me a ton of freedom and has validated that whatever I’m thinking in a particular moment for a scene (or a story) is completely right.

Sonora: You’ve appeared in many anthologies, and also published your own standalone work. How long have you been publishing? What was your first acceptance? How do you decide between pieces you’ll submit and pieces to publish as standalones?

I finally mustered up the courage to start sending my work out for consideration in 2013, and I published my very first piece, “Invidia,” in Penduline Press’s Seven Deadly Sins issue that year. It’s inspired by Dante’s “Inferno,” more specifically the sewing shut of a trespasser’s eyes when they’ve become envious or coveted that which isn’t theirs. I decided to tell the story from the perspective of the being tasked with the sewing, someone stuck in a very strange kind of limbo. It’s very strange, and I still love that piece.

I submit the majority of my work to publishers now, but when I was first starting out, I was frustrated by rejections and didn’t have a great idea of how to search for markets that complemented my writing style. But I was itching to get my work out there! So, I took matters into my own hands and learned how to publish my own work on Amazon. I self-published SPIN, a novelette about time travel via vinyl records, and Give It Back, a long-ish horror story about a funeral home and a theft that wakes the dead.

There are a few pieces I’ve been querying for a while that don’t fit neatly into a genre or an ideal word count, so those may be next for the self-publishing queue. I’ve also been toying with the idea of self-publishing a collection of horror stories, too. We shall see!

Sonora: Do you have any projects in the works that you’d like to share with us?

Tiffany: I have two projects in the works right this second: a tale in the American Gothic tradition about infidelity, puritanism, and demons; and a paranormal romance novella about a vampire librarian working the night shift on a college campus who meets a cocky student he’s not sure whether he’d like to kiss or kill.

My upcoming publications include a drabble titled “All That Glitters” in Drabbledark II: An Anthology of Dark Drabbles, edited by Eric S. Fomley; a short story called “Unspoken Words” in Christmas Lites VIII, a charity anthology edited by Amy Huntley and benefiting the National Coalition Against Domestic Violence; and an audio reading of my paranormal comedic short, “Bad Vibrations,” on the Toasted Cake podcast.


Follow Tiffany’s adventures at https://tiffanymichellebrown.wordpress.com or @tiffebrown on Twitter.

Check out Tiffany’s interview with me on her blog!